Photography Residency; Sam Ivin, A collaboration with Appetite

Sam Ivin, Sudan from Lingering Ghosts. 2015, Fabrica.
Sam Ivin, Sudan from Lingering Ghosts. 2015, Fabrica.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Awarding emerging photographer Sam Ivin to work collaboratively with individuals and community groups in Stoke on Trent, in partnership with Appetite, has enabled a new community archive and new work for exhibition.  Targeting those people that have made their home in the city has enabled a diverse and participatory project with a raft of cultures and stories represented.

Photography is part of these people’s journey; from the places and people they left to their new lives in Stoke-on-Trent.

Ivin will create an archive of photographs and a new work for exhibition.  The archive will tell the participant’s stories of arriving in the city and where their journey started from.  A positive project, Ivin will celebrate commonalities using images from local people’s own photography collections, having them work with these images to present a contemporary archive and a work for exhibition.

The residency will take place between June – September 2017.

During his previous project, Lingering Ghosts, Ivin visited Sanctus St. Mark’s, a refugee support group based in St. Mark’s church in Stoke-on-Trent.  This body of work, commissioned by Fabrica, Treviso, Italy, saw him working with refugees in all parts of the UK.  Since publishing the award winning and critically acclaimed Lingering Ghosts in February 2016 and exhibiting the work around Europe Ivin has become increasingly interested in the integration of migrants in UK cities.

Sam Ivin is a photographer whose work focuses on social issues and the people connected with them. His pictures attempt to demonstrate the impact situations have on his subjects. By documenting their stories and perspectives he hopes to provide a more personal, tangible understanding of them. He studied Documentary Photography at the University of Wales, Newport graduating in 2014.  Since then he has been awarded numerous significant photography prizes including the Magnum Photos Graduate Photographers Award, May 2017, The GMC First Prize, Royal Birmingham Society of Artists, March 2017, the Best Graduate Single Image, Runner Up,  British Journal of Photography (BJP) Breakthrough Award 2016 and the Winner of Best Single Image, Human Category at Renaissance Photography Prize 2015.

The project is a collaboration between GRAIN Projects and Appetite, supported by Arts Council England and is part of the Creative People and Places Programme.

The State of Photography Symposium II

Photographers Edgar Martin and Andrew Jackson at the symposium
Photographers Edgar Martin and Andrew Jackson at the symposium

 

 

 

 

 

 

 

 

 

 

Curating and producing The State of Photography symposium, held in 2017, provided an opportunity to explore, debate and review how photographers and photography practice develops and responds in our current challenging times.

Acclaimed and outstanding photographers and artists who document the world around us were invited to showcase their recent work. Each have different approaches to making their work.  They have been artist, story teller, observer, participant, explorer and poet. Their work has been made through collaboration, participation, community engagement, research and obstinacy.

During the Symposium we heard from the perspective of the photographer, curator and academic. They shared our concerns about the present and offered a diverse range of practices, experiences and stories that document the state of humanity and the world today.  The documentary role of photography is changing, particularly as work is commissioned and made for gallery settings. Photography can impart the greatest truth of our times and sheds light on injustices, inequality and other aspects of our society. It has been and remains one of the strongest vehicles for change as photographers explore polities, gender, society, sexuality, diversity, economics and environment. It seems today – a time of political unrest, flux and crisis – more essential than ever to explore the role that photography can play.

Speakers included celebrated photographers, curators and academics, those that create self-initiated projects and commissioned bodies of work;  Andrew Jackson, Anthony Luvera, Camilla Brown, Edgar Martins, John Hillman, Kajal Nisha Patel, Michelle Sank and Simon Constantine.

Sacred Things; Liz Hingley

Liz Hingley, Dressing for mosque, Soho road, 2009 from the series Under Gods
Liz Hingley, Dressing for mosque, Soho road, 2009 from the series Under Gods

Commissioned to make new work for an installation at The Herbert Art Gallery, Coventry, photographer and anthropologist Liz Hingley is collaborating with Syrian families to produce portraits that introduce them as individuals to the city and its people.   Through workshops the participants are working with Liz to explore the Herbert Art Gallery’s collections to learn more about the people who have settled in Coventry throughout history and made it the culturally rich place it is today.

Following a series of collaborative workshops and conversations the new work will result in a unique installation that reflects on the value and meaning of ‘things’ as well as personal experiences and cultural concepts of beauty.

‘Sacred Things’ sets to challenge our consumer society in a world where the divide between those who have and those who don’t have is widening and more and more people are being uprooted, leaving possessions behind and setting up home in alien environments.

The installation is due to open at The Herbert Museum & Art Gallery in December 2017.

This project was commissioned by GRAIN Projects and is generously supported by Arts Council England, Rubery Owen Trust, Coventry University and The Herbert Art Gallery.