In 2014 Nathaniel Pitt was invited to curate our exhibition as part of Brighton Photo Biennial 2014. Plane Materials was a Grain and Photoworks co-commission featuring an exhibition of new works by Cornford & Cross and Andrew Lacon. In the exhibition the artists explored the dialogue between photography and sculpture. Lacon’s studio based practice draws on historical documents and photographs from the Library of Birmingham’s archive that are specifically concerned with Roman antiquity and the framing of photographs of Roman sculpture. Cornford & Cross work differently, a non-studio based practice, they create work through discussion and debate, positing different conceptual ideas.
The Plane Materials publication is now available from GRAIN and Nathaniel Pitt and was published by the Library of Birmingham.
Following her acclaimed exhibition in New Art West Midlands at Birmingham Museum & Art Gallery Lucy was awarded the residency by Grain and Turning Point West Midlands in 2014.
The residency provided an opportunity for the artist to make new work in response to the photography collection. Following a period of research the artist chose to work with a unique Victorian carte de visite archive that has certain resonances with her own artistic concerns. Lucy is interested in the construction of class and her study of the carte de visite portraits enabled her to see first hand constructions of Victorian class, status and taste.
Lucy is a Fine Art graduate from Coventry University and is based in Birmingham. As a result of the residency Lucy exhibited the new work at the Library of Birmingham and at Croome Abbey.
In 2013 Tom Hunter was commissioned to create new work in two districts of Birmingham. His work saw him finding, exploring and revealing places and spaces that were usually out of public view, closed off or accessible to only a few people in the city. He made exquisite images of member’s clubs, temples, political chambers, heritage sites, factories and churches using a pinhole camera the pictures were rich and engaging.
The 60 new works were exhibited in the public realm in curated exhibitions in two public squares. The exhibitions were sited in the business district and in the Jewellery Quarter.
Artist David Bethell was awarded a residency at Wolverhampton Art Gallery during which he created a fictitious character and narative based upon their fine art and geology collections. Following the residency Bethell made new works, including sculpture, installation, photography, film and performance, in the Staffordshire landscape. The new work was curated for exhibition at Wolverhampton Art Gallery during 2013.
The exhibition documents the adventures and explorations of fictitious character Dr. Bird, an eccentric adventurer, gardener, inventor and explorer. Bethell’s work is about land, landscape and our place within it. The exhibition is an artist’s response to the Victorian Fine Art and Geology Collections alongside ongoing concerns relating to human influences on the rural landscape.
The project also saw new writing commissioned from Anneka French and Anna Falcini. A publication by the artist accompanied the exhibition.
Reference Works was devised as a major new photography commission in which four leading photographers made unique creative responses to the old Central Library building and to the build, transition and relocation to the new Library of Birmingham. Launched in April 2012 the commissions were awarded to Brian Griffin, Michael Collins, Andrew Lacon and Stuart Whipps. Alongside the main commissions a mentoring and professional development programme was delivered in collaboration with Birmingham City University.
The commission was established to reflect and record a momentous event in the city’s cultural history, the project, supported by Arts Council England, represented the largest and most significant photography commission ever undertaken in Birmingham.
In September 2013 four exhibitions were curated as part of the Reference Works commission, including a major new show in The Gallery at the new Library of Birmingham, complimented by a series of events and artists’ talks.
In 2010, inspired by the Cultural Olympiad, artist Babis Alexiadis created new work outside the gallery environment to celebrate a spectacular site specific performance. From an 18 month participatory and collaborative project, comprising of a series of dance and animation workshops, the project culminated in a large scale night time performance and screening event in Birmingham.
Art of Ideas was a large scale initiative devised and produced to contribute towards art market development in the region, supported by Arts Council England. The programme was delivered to promote contemporary visual art in the region making it accessible to audiences and new potential buyers. The event included a curated and selling exhibition, The Witching Hour, co-curated by Matthew Collings and Matt Price, a special issue publication about collections and collecting and a series of talks/panels that explored art market issues, including by Paul Hobson, Matthew Collings and Wendy Law.
The project had at its centre a high profile exhibition at Birmingham Museum and Art Gallery entitled The Witching Hour which resulted in sales, new opportunities, commissions and a strong portfolio of new contacts. Following the success of the exhibition in Birmingham the exhibition was taken into London.