The major exhibition at Tate Modern examines the relationship between photography and performance, from the invention of the medium through to social media projects. There are those that documented performance formally and for the artist’s record, such as Shunk-Kender for Yves Klein from the late 1950s to the early 70s; those who used photography as part of their performative practice such as Dan Graham, through to collaborations with performance artists, performing icons and actions and photography as self-portrait through to mass photography and Instagram.
There are themes but they are broad, rich and varied. There are five rooms that make up the exhibition taking you on a journey from Nadar’s studio through to Amalia Ulman’s Excellences and Perfections project from 2014 that was made on Instagram using selfies and captions to create fiction and a changing identity. Just outside the exhibition, on the entrance wall, is a large photograph taken from Romain Mader’s 2012 series Ekaterina, a series that features his smiling bride, a fictional story of snapshots to chronicle lives or in this case imaginary lives and a relationship that never took place.